Mož s krokarjem

You cannot speak of Tisnikar without also speaking of the world in which he lived and worked. It is through his being anchored in the banal everyday reality, but particularly through his work in the department of pathology that we get to know the rough contours of Tisnikar’s image. Sincere accounts of the people who were close to him, mostly left uninterrupted by other shots, mix with silent scenes partly based on Tisnikar’s own accounts, conveying the feel of Tisnikar’s solitary spaces, his walks and work in the time of the day when one finds it best to be alone; at night or in early mornings. The film tries to give an idea of Tisnikar’s (internal) worlds in which his genius and magic intertwine with the routine of the common man.